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AP Art History Cronk

AP Art History Cronk

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Sinan, the chief architect for Suleyman the Magnificent, was chiefly influenced by

the Parthenon in Athens

the Hagia Sophia in Istanbul

the Dome of the Rock in Jerusalem

the Kaaba in Mecca

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Stone altar platforms on which these works sit are

common pre-Columbian art, where this tradtion comes from

common in Polynesian sacred religious sites

uncommon in Pacific Island cultures and unbique tot his groupoing

uncommon in Polynesian art, but common in the rest of the Pacific

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Prehistoric art can be found in groupings of objects as well as by themselves. Often groupings indicate that

they were done by a workshop with a unified artistic vision

artists traveled from place to place to establish a reputation

they were done over a vast period of time

there was commentary made on previous works by other artists

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Michel Tuffery's sculpture is made of used cans of corned beef which symbolize

a rejection of the traditional vegetarian diet

the reliance on packaged meat rather than traditional food gathering activities

Polynesian traditional welcoming of new people and products

an affirmation of a meat-based diet

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Regeneration and fertility are often symbols depicted on images found in

Islamic manuscripts

tapa bark cloths

American Indian pottery

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On the basis of style, this painting can be attributed to

Rembrandt van Rijn

Peter Paul Rubens

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Michel Tuffery's reuse of existing materials draws inspiration from repurposed materials

the Golden Stool

Duchamp's Fountain

the Intihuatana Stone

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Mblo masks are works of art that

resemble kings and act in their place when the king is absent

seek to create a connection to fertility gods through ceremonies and rituals

honor an individual by being presented with an artistic double

have nails driven into them to prod the spirits into action

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Congs were symbolic in Chinese culture because jade

is linked with durability, subtelty and beauty

has a soft quality that associates it with female virtues

is irridecent and stands for the heavenly realm

is found in small quantities and therefore is very expensive and symbolizes wealth

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In Paul Gauguin's Where Do We Come From? What Are We? Where Are We Going? the artist has used symbols derived from

Neoclassical formulas of composition and body style

Postimpressionist brushwork as seen in the works of van Gogh

Tahitian imagery in the Polynesian idol

French Impressionism in the atmospheric

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