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AP Art History Cronk

AP Art History Cronk

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The approximate date for this building is

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The architect's philosophy of building is expressed by the idea the

construction should be environmentally friendly

only the use of natural material would be permitted

a house is a machine for living

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The complex at Nan Madol is unusual in tradition in that

it is built near the sea for quick access to trade routes

it is decorated with stone sculpture that shows an ancient lineage

it is built on a mountaintop for all to admire

it is made of stone and gives a sense of permanence

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The ground plan indicates that the building

was oriented toward the sun

has long banks of windows so people can see in

was aligned for a ceremonial purpose

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The Egyptian Book of the Dead

guides the progress of a soul to the afterlife

measures the time a soul has on earth and in the afterlife

shows how to embalm bodies for preparation to the afterlife

illustrates the funeral processions of the deceased

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The images on the sculpture are of

ancestral chieafs who have been deified after death

shamans who have led their congregations in worship

ancestors who have had the ability to contact the spirit world

Europeans who were considered gods in the eyse of the natives

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The formal qualities of this work idetify as an example of

an Islamic manuscript done in Muslim Spain using animal motifs

a Byzantine manuscript done in Greece using gold leaf

a Mughal manuscript done in India using a combination of Indian and Islamic characteristics

a Chinese manuscript done in Japan combining the influence of scroll painting and ukiyo-e prints

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Robert Smithson's Spiral Jetty draws inspiration from works such as

de Kooning, Woman I

Great Serpent Mound

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Michel Tuffery's objects become animated

when used in traditional coming-of-age ceremonies

when put on wheels and used as part of a multi-media perf

when lit up from within and resembling an active bull

in cartoons and used to entertain children

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Song Su-nam's works express an interest in

adapting traditional formulas onto contemporary works

moving people away from purely aesthetic concerns to contem

instructing young people in the arts of today

multi-media presentations of ancient workshops

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