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AP Art History Cronk

AP Art History Cronk

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The sika dwa kofi (golden stool) inspired a war when

a visiting ruler used it as spolia

an opposing tribe stole it

a deposed leader refused to return it

a British representitive tried to sit on it

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The sika dwa kofi (golden stool) and the gold and jade crown from Korea are similiar in that both works

are used in mortuary practices

are symbols of national pride

are used by visiting dignitaries as a sign of respect and welcome

are used daily by the current political leader

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The work on the left, unlike the work on the right, is concerned with

the arrangement of objects in relationship to one another

the study of botany

demonstrating the artist's ability to depict objects in a natural environment

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The strength of the female persona is strongly articulated in the works of

Yinka Shonibare

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The woman on the left represents a Native American

but she is painted as a European woman with dark colored skin

who is dressed as a European woman of the eighteenth century would be dressed

who tries to adopt the culture and conditions of her new home in Spain

who is eager to give up her children to the European male in the painting

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The work is called a casta painting, a term that implies that

it is meant to show how children of mixed race need adoption

its purpose is to introduce the notion of mixed races to a European audience

it is a painting in a series of works that shows different levels of ancestry and hierarchy

it was used as a screen to divide rooms from one another

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The use of stone in such prehistoric structures as Stonehenge illustrates an architectural tradition that

employed a mortise and tenon system for supporting lintels

showed the enduring power of concrete to unify large blocks of stone

maintained the stability of structures using a corbeled arch

unified architectural works with carefully planned gardens

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The work on the left has been anthropomorphized, meaning that

it was discovered by anthropologists

it is a work depicting a woman

it has characteristics of a human, but is not human itself

archaeology has yet to determine what this is

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The sculptures are arranged facing

inland and toward the center of the island signifying protection from the sea

outward and toward the sea signifying where their creators came from

the sun signifying their creator's worshipping of solar deities

many directions signifying the artists' interest in adapting the sculpture to ti individual site

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The large area on the left is probably

an amphiprostyle

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